Magazine
Folk with an attitude
"Oi, Druzil here," he presents himself, "The Dread Pirate Druzil is the resident mandolin, banjo, and tin whistle player in the world travelling band of raving drunken lunatics and purveyors of fine clusterfolk known as the Dreadnoughts."
By Reidar Falch
According to the website, the Dreadnoughts formed in 2006 over pints of cheap beer at East Vancouver's notoriously violent Ivanhoe Hotel. They play folk punk.

The Dreadnoughts
Folk punk is party music, "It really wouldn't be the same without a bunch of sloppy-drunk fans bashing into each other, screaming profanities and soaking the floor in sweat and booze. It also makes for great cultural experience on the road. The Surfin Turnips in Bristol gave us an education in knock-you-on-your-ass strong scrumpy cider aboard a local floating cider bar, some fans in Poland taught us how hard it is to play a gig after an afternoon swilling 20something pecent bathtub wine by the river..."

Druzil - Photo by Vojta Florian / Vojta Florian.com

Druzil and Seamus O'Flanahan - Photo by Adam PW Smith - by permission

Druzil and Seamus O'Flanahan - Photo by Adam PW Smith - by permission
Druzil sees a connection between folk and punk, "Folk and punk are unpretentious forms of easy to appreciate music. While punk's tradition and evolution may span only decades compared to folk's centuries, they share straight up simple and solid chord progressions, and melodies and lyrics that beg listeners to sing along."
The mandolin fits in, "Mandolin makes a great addition to a folkpunk band as a driving force. The attack on tremolo picked melody lines keeps the fiddle from getting lost in the chaos, and chop chords marry the rhythm of distorted guitar and drums to bring it all together into a tight head banging and foot stomping sound."
Druzil started playing the mandolin about 5 years ago, "Not long before I joined the Dreadnoughts. My dad is a piano and 5 string banjo player, I grew up jamming with him on guitar. He always loved the sound of the mandolin, especially in bluegrass, so one day he just brought a cheap one home for me to learn on."
"I started off teaching myself traditional Irish tunes I had learned originally on the Irish whistle. Once I got hooked on playing mando, I moved on to play around with more bluegrass, polka, and Eastern European folk. I'd love to get more comfortable in ragtime and gypsy jazz styles," he says.
About his set up with the Dreadnoughts, "I play the cheapest and most readily available acoustic/electric mandolins I can find. Our stage show is very chaotic, so I prefer not to be too concerned about my mandolin getting soaked in beer or blood, throwing it around, or using it on the cymbals. Right now my whole set up is an Epiphone MM-30-E mandolin, a BOSS tuner pedal, and an L.R.Baggs paracoustic D.I. box/preamp."
On their new CD, Polka's Not Dead, Druzil likes to draw attention to one track, "In our quest for all things polka we became fixated on this exaggerated lightning fast Finnish style. Polka's Not Dead features an original humppa which boasts my crowning achievement as a mandolin recording artist. Tremolo picked 16th notes at 218 beats per minute. Suck on that!"
"I'm very happy with it and proud to have been a part of its composition and production. For me, it does a great job of showcasing the broad range of influences that define the Dreadnoughts," Druzil says.
They added new instruments to the mix, "including viola, piano, and nylon string guitar played by our fiddler and guitarist, and cello and tuba played by guest musicians. I recorded both on my acoustic/electric mandolin, and on a fully acoustic deep bodied mandolin for a richer and more natural sound on acoustic tracks."
"We also did a lot of vocal work for this one, and despite the fact that save for our lead singer none of us has a lot of vocal experience, I'm very happy with how the backups and harmonies turned out," Druzil says.
He has no doubts, "Whenever I'm asked which Dreadnoughts album I'd recommend, Polka's Not Dead is my clear favorite. I hope it inspires our punk fans to look into more traditional music, and our folkier fans to find more inspiration in the grittier punk aspect."
The CD will be released for the European audience in January. "We like to be as direct as we can with our audience, so we won't officially release our album in Europe until we have a chance to tour there again and we can get the album into our fan's hands personally. I'm quite happy for our fans to download our music, legally or not, it's so inspiring to see people in the crowd singing along to brand new songs. Plus, having a chance to hear the entire album in advance should just help you move copies if it's a solid disc. I hope it helps make artists more accountable to keep the songs interesting and strong."
Druzil enjoys touring, "We jump at any opportunity to play in front of new crowds in new countries. In Europe We've been as far North as Denmark and as far East as Ukraine, and this next tour we're doing in January includes our first ever Russian gig. With any luck we'll soon be guzzling your local booze and finely studying your local women."

The Dreadnoughts - Photo by Adam PW Smith - by permission
"The years I've spent in the company of my band mates have very much broadened my perspective. I went from performing traditional music to a handful of people at open mics to touring the world and having the chance to perform at hidden away little dive bars to full festival stages for thousands of people. Having a chance to crash with local people and chat over breakfast is a great way to experience other cultures, and effectively living in a van with 4 guys you see 24 hours a day can really push you to become more adaptive, if it doesn't drive you completely insane," Druzil finishes.
The Dreadnoughts will continue their mission to seek out and spread the oft overlooked carnal pleasures of the world; gin, cider, pasties, polka, spatzle, poutine, sliebowice, pierogies...
The Dreadnoughts @ Pub340 Vancouver
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